Daniel Palmer is Associate Dean of Research and Innovation in the School of Art at RMIT University. Palmer’s book publications include the forthcoming Installation View: Australian Photography Exhibitions (Perimeter Editions) with Martyn Jolly; Photography and Collaboration: From Conceptual Art to Crowdsourcing (Bloomsbury 2017); Digital Light(Open Humanities Press, 2015), edited with Sean Cubitt and Nathaniel Tkacz; The Culture of Photography in Public Space (Intellect 2015), edited with Anne Marsh and Melissa Miles; Twelve Australian Photo Artists (Piper Press, 2009), co-authored with Blair French; and Photogenic (Centre for Contemporary Photography, 2005). His scholarly writings on photography and contemporary art have appeared in journals such as Photographies, Photography and Culture, Philosophy of Photography, Angelaki, Reading Room and the Australian and New Zealand Journal of Art. Palmer has also published over sixty catalogue essays and fifty art reviews since 1997, in art magazines including Art and Australia, Photofile and Frieze.
